It might come as little surprise that I adore lyric poetry, real lyrics grounded in actual experience that produce their own wild and accurate sonorities. I can usually sense a faker, a Mary Oliver-type poem that strains within its own imagery, desperate to produce a responsive "ooooo ahhhhh" in the reader, rather than one that flows organically with a depth of awareness of line breaks and assonantal bridges and an emotion that emerges from its origins, not one generated superficially via the placement of "feeling words" on the page. All of Us Hidden is that kind of book, a deep winding through familial loss and environmental torment, indigenous awarenesses and parental yearnings. The poems surge in five parts, of which only the final one "Too Fast" felt like it could have been re-shaped and the remaining pieces inserted into the prior four sections. Streetly uses the simplest of diction (salmon, rock, spruce tree) but interweaves these pure signifiers w...
I've been a reviewer, both paid and not, for over 15 years. Reviewing poetry books in Canada is indubitably almost a thankless task so why does one persist? Poetry is the abiding love of my life. When I write a review I feel I am providing real context for the reception of a book. Not a blurb, promo or an overview, but a critical plunge into the text, through which I am able to explore the structure, forms, history of influences and other prosodic aspects. Through this process, not only does the poet feel read, but their potential readers are given more terms and tools by which to enter the book and thereby, enable the work to impact their lives on a more meaningful level. That's the hope at any rate. Without deep readers, we are lost. And so, after writing Marrow Reviews for 12 years on my Wordpress site for free, and trying to switch to more paid reviewing for BC Review, Alberta Views, Freefall magazine and others, I realized I cannot entirely cease the public service of r...
This is a much needed platform!
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